.SONU NIGAM.

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Thursday, 9 June 2011

Sonu Nigam
(Hindi: सोनू निगम; born 30 July 1973 in Faridabad, Haryana, India)[1] is an Indianplayback singer whose songs have been featured in numerousPunjabi , Kannada, Hindi, Telugu,Marathi and Tamil movies. He has also released numerous Indi-pop albums and acted in a few Hindi feature films. He had changed the spelling of his last name from 'Nigam' to 'Niigaam' in accordance with numerology, but could not get desired results, he returned to the old spelling 'Nigam'.[2]
Sonu Nigam began his singing career at the age of three, when he joined his father on stage to sing Mohammad Rafi's "Kya Hua Tera Vaada, Wo Kasam Wo Irada." From then on Sonu accompanied his father on his singing appearances at weddings and parties. In his teenage years he participated in several music competitions successfully. He moved to Mumbai with his father to begin his Bollywood singing career at the age of 19.[3]








                                                       Deewana (album)















wada kar                                                          
ban k dharkan
dil se dil tak


Pakistani MUsic Culture

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Wednesday, 8 June 2011

 The music of Pakistan

Ghazal


In poetry, the ghazal (PersianغزلTurkishgazel) is a poetic form consisting of couplets which share a rhyme and a refrain. Each line must share the same meter. Etymologically, the word literally refers to "the mortal cry of a gazelle". The animal is called Ghizaal, from which the English word gazelles stems, or Kastori haran (where haran refers to deer) in Urdu. Ghazals are traditionally expressions of love, separation and loneliness, for which the gazelle is an appropriate image. A ghazal can thus be understood as a poetic expression of both the pain of loss or separation and the beauty of love in spite of that pain. The form is ancient, originating in 10th century Persian verse. It is derived from the Persian qasida. The structural requirements of the ghazal are more stringent than those of most poetic forms traditionally written in English. In its style and content it is a genre which has proved capable of an extraordinary variety of expression around its central theme of love and separation. It is considered by many to be one of the principal poetic forms the Persian civilization offered to the eastern Islamic world.
The ghazal spread into South Asia in the 12th century under the influence of the new Islamic Sultanate courts and Sufi mystics. Exotic to the region, as is indicated by the very sounds of the name itself when properly pronounced as ġazal. Although the ghazal is most prominently a form of Urdu poetry, today, it has influenced the poetry of many languages. Most Ghazal singers are trained in classical music and sing in either Khyal or Thumri.

Famous composers and performers

  • Roshan Ara Begum
  • Abida Parveen
  • Ahmed Rushdi
  • Amanat Ali Khan
  • Farida Khanum
  • Noor Jehan
  • Ghulam Ali
  • Iqbal Bano
  • Maaz Moeed
  • Malika Pukhraj
  • Munni Begum
  • Mehdi Hassan
  • Naheed akhtar
  • Nayyara Noor
  • Tahira Syed
  • Nusrat Fateh Ali Khan
  • Tina Sani

Qawwali


Qawwali (Urduقوٌالی) is the devotional music of the Chishti Sufis. Qawwali is a vibrant musical tradition that stretches back more than 700 years. Originally performed mainly at Sufi shrines throughout the subcontinent, it has also gained mainstream popularity. Qawwali music received international exposure through the work of the late Aziz MianNusrat Fateh Ali Khan and sabri brothers, largely due to several releases on the Real World label, followed by live appearances atWOMAD festivals. Listeners, and often artists themselves are transported to a state of wajad, a trance-like state where they feel at one with God, generally considered to be the height of spiritual ecstasy in Sufism. The roots of Qawwali can be traced back to 8th century Persia, however, Qawwali in the form we know it today was essentially created by Amir Khusrau in the late 13th century.
During the first major migration from Persia, in the 11th century, the musical tradition of Samamigrated to South AsiaTurkey and UzbekistanRumi and his Mevlana order of Sufism have been the propagators of Sama in Central Asia. Amir Khusrau of the Chisti order of Sufis is credited with fusing the Persian and South Asian musical traditions, to create Qawwali as well as the classical music tradition. The word "Sama" is used (or is the preferred name) in Central Asia and Turkey, for forms very similar to Qawwali while in Pakistan, the formal name used for a session of Qawwali is "Mehfil-e-Sama".

Famous composers and performers


Famous composers and performers

Info About Music For Music Lovers....

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Saturday, 4 June 2011




Music


Music is an art form whose medium is sound. Common elements of music are pitch (which governs melody and harmony), rhythm (and its associated concepts tempo, meter, andarticulation), dynamics, and the sonic qualities of timbre and texture. The word derives fromGreek μουσική (mousike; "art of the Muses").[1]
The creation, performance, significance, and even the definition of music vary according to culture and social context. Music ranges from strictly organized compositions (and their recreation in performance), through improvisational music to aleatoric forms. Music can be divided into genres and subgenres, although the dividing lines and relationships between music genres are often subtle, sometimes open to individual interpretation, and occasionally controversial. Within "the arts," music may be classified as a performing art, a fine art, and auditory art. There is also a strong connection between music and mathematics.To many people in many cultures music is an important part of their way of life. Greek philosophers and ancient Indian philosophers defined music as tones ordered horizontally as melodies and vertically as harmonies. Common sayings such as "the harmony of the spheres" and "it is music to my ears" point to the notion that music is often ordered and pleasant to listen to. However, 20th-century composer John Cage thought that any sound can be music, saying, for example, "There is no noise, only sound."[2] Musicologist Jean-Jacques Nattiez summarizes the relativist, post-modern viewpoint: "The border between music and noise is always culturally defined—which implies that, even within a single society, this border does not always pass through the same place; in short, there is rarely a consensus ... By all accounts there is no single and interculturaluniversal concept defining what music might be."[3]